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10466 Van Gogh's Artistic Vision and Mental Pathology. This three-page undergraduate paper is an interview of Van Gogh by Dr. Gachet. The theme is the possible connection between Van Gogh's madness and his artistic ability. The questions basically center around Van Gogh's inability to relate to other people. 3 pgs. Bibliography lists 1 source.
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3308 Georges Seurat, Colour Theory, and the Science of Art. This paper will examine Seurat and his paintings - and, in particular, the use of colour theory and physics in his painting - in order to demonstrate how the artistic and the scientific can be complementary as opposed to mutually exclusive propositions. While it must be acknowledged that Seurat was not a "true" scientist in any respect, nonetheless, his insights into colour theory represent a pivotal moment in Western art history when science and art converged. 6 pgs. 11 f/c. 3b.
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3383 Formal Innovations and Thematic Ambiguity in Antonioni's "L'avventura". 7 pgs. 9 f/c. 4b.
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3471 Art and Pop Art. This five-page paper discusses art and pop art, and distinguishes between the two by noting the characteristics of each form. As examples of each, two works of Andy Warhol are compared and contrasted to Da Vinci's "Last Supper" and Rembrandt's "Syndic of the Clothmaker's Guild. 5 pgs. 5 f/c. 6b.
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10769 Symbolism In Art: The Aesthetics Approach. This six-page undergraduate paper begins by putting forward aesthetics theories on symbolism in art by three different aestheticians: Hegel, Goodman and Plato. Further, the paper compares all three theories, finally judging in favor of one. 6 pgs. Bibliography lists 6 sources.
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10803 An Analysis of Gustave Caillebotte's Painting Entitled: Paris Street: This paper will discuss the Gustave Caillebotte's painting entitled: Paris Street: Rainy Day, and seek to describe the colors, the lines, and the nature of style that the painter uses. By realizing the way this artist approaches painting, we can see how makes use of these techniques in his style. By analyzing a paining, such as this masterpiece, we can how the painter achieved this high quality of art in his active painting format. 4 pgs. No bibliography.
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10806 Revolutionary War Art: A Comparison. This five-page undergraduate paper compares and contrasts Emanuel Gottlieb Leutze's painting "Washington Crossing the Delaware" and the painting "Spirit of '76" by Archibald McNeal Willard. 5 pgs. bibliography lists 7 sources.
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